Archive for April, 2006


Posing

Trustafundian rebel without a cause for alarm,
‘Cuz when push turns to shove you jump into your forefathers arms
He’s a banker, you’re part of the system,
Off go the dreadlocks, in comes the income

Poser.

It’s one of those insults that has no purpose but to make people police themselves. It works not on principle but insecurity. You can say that any woman is a slut, or (worse?) a dyke. You can denigrate any man’s dick size. And you can call any punk a poser.

Eh, hell. Why not. Let’s call out a few.

Here’s to all the kids who think that getting $10 a week (or more?!) in allowance is “normal.” Here’s to the credit card princesses with sticky pink lips and salon highlights every couple weeks. Here’s to the liberals–the Marxists! the anarchists!–who chat up and fuck a new blow-up doll girl every Friday night. Here’s to the college administrators who congratulate themselves for their “diverse student body” just because they admit a bunch of light-skinned middle-class preps who checked “African-American” on their application. Here’s to that damn Escalade in my former high school’s parking lot. Here’s to those of you who smirked at that last one…when your parents bought you a car, too. Here’s to whoever the hell turned lesbianism into party entertainment.

Here’s to Hot Topic and Against Me.

Today in American Protest Lit, we discussed punk rock and the book Evasion. Most of the people liked the book–admired the narrator’s dumpster-diving and veganism. It seemed “real” to them. A room of middle-class white girls (and one boy) felt they identified with the hobo shoplifter life.

I was more ambivalent. Hence the rant.

Now, I’ve never claimed to be a punk. I listen to a bit of the music, plus a little rap and a little ska now that Nelson’s introduced me to it. But punkishness is still a defining characteristic of my generation. The music might have evolved–more folky, more pop, more indie, whatever–but there’s still a sense in which including any slightly political statement, any social commentary, in art automatically makes it cool. We’re a generation where the Dixie Chicks criticizing President Bush is a big deal. I have claimed to be a liberal, and my politics do inform my music taste to an extent. So the whole punk/poser, “selling out” thing affects my identity too.

One of the more “real” people (stupid term, I know) I know is a trust fund baby. He doesn’t like Evasion very much. Doesn’t portray anarchism the way he’d like. He goes from hitching and stockyards to green mansions and back again, making a life with his riot-folk guitar. He knows the contradictions. Oh, he knows them damn well. He beats himself up about it pretty much always. He’s the most vulnerable member of the scene to that scarlet letter, ‘P’ for Poser. But he still does it–not for salvation. For love of the music, of the life. And for that I admire him.

Punk isn’t going to make up for the fact that we’re all white, rich, privileged boys and girls. People are driven to hardcore out of class guilt, but if you’re honest with yourself it won’t ever relieve it. Safety pins and hair gel won’t stop your guilt. Moshing won’t make you poor. I don’t care how much rap or reggae you listen to–Malcolm X doesn’t want your fucking help.

We’re eating the other. Colonialism is only finished when the colonized give their consent. So we look for that consent–white people consume black music, white boys exoticize Asian girls, white tourists go on their stupid New Age-y journeys to learn Native American ceremonies. There’s a reason why the Last of the Mohicans and the Last Samurai are white, why the face of Harajuku in America is blonde and obnoxious. The Other has a life or spirit to it which we supposedly lack. So we try to absorb it, to fit in among them. If they treat us like a “brother,” if we are legitimated as one of the crowd instead of a stupid tourist, the colonization is complete.

Punk isn’t going to redeem you. You thought it would be so easy?

Get it? Go ahead. Turn up the music in your headphones. The music cries a river, but it doesn’t build a bridge to get over it. That’s up to you, if you want to.

We’re all posers. Deal with it.

C For Cookie

Somebody remixed the V For Vendetta trailer with Sesame Street. A little rough at some points, but given how much dialogue is in the trailer it’s a pretty ambitious mashup. Check it out.

On an unrelated note, if anybody has superglue, I want to talk to you.

Leaving on a jet plane

I am a window seat kind of girl. I love watching the sky and clouds and land go by the plane, trying to pick out landmarks. More importantly, since airplane windows are so small, window seats are the only place I can avoid twinges of motion sickness. This explains my discomfort when both of my flight out to Philadelphia were in aisle seats, one of which was in a windowless row.

It also explains why I wasn’t complaining when the setting sun shone directly in my face on the 7 PM return flight from Philly. And continued to shine, with about three or four hours of twilight. Flying west, with the earth’s rotation, is fun.

When the in-flight movie ended (The Chronicles of Narnia), I looked out the window. To my surprise, there was a line of flickering thunderstorms to the northwest. The cell nearest us was burning like Rome–the plane had to turn to avoid it. No tornadic activity, by the look of it, but probably a Severe Thunderstorm Warning. I couldn’t keep my eyes off the clouds as we passed.

Did you know that lightning shoots off the top of thunderstorms, too? As a meteorology buff, I’d heard of it before, but I’d never seen it. Until last night. Amazing.

I wish I’d had a camera.

It’s Easter!

Some guy’s photo project (not safe for Peeps).

Happy Easter everyone! Now I will go sleep and curse my sinuses.

FreeCulture.org is hosting a video remix contest, in preparation for a crazy audiovisual Pirate Parrrty they will be holding during the Free Culture conference two weeks from now. There are prizes. You should totally enter something.

More importantly, however… (?) Observe the Pirate Party website I designed today instead of doing my homework. All of the site (well, except for the Jolly Roger (which is credited), and a JavaScript doodad I found through Google… bah) is my work from scratch. I have moved beyond CSS cannibalism! Woo hoo! *does a dance*

Okay, I’m done now.

Mudd is awesome.

Apparently West Dorm had their pre-TQ run last night, stripping all the lemon (and other citrus) trees in Claremont and the surrounding area of their produce. Already South and West Dorm are hurling lemons at one another, both by hand and with a PVC slingshot. And TQ Night isn’t until Saturday! By the time the prospective Mudders show up for pre-frosh weekend, the quad should be thoroughly covered in lemon corpses. And the pre-frosh shall understand that Mudd is where they were meant to be. Or something.

* * *

About twenty years ago, after a couple attempts, a team of Mudd students successfully stole the cannon in front of Caltech’s Fleming house. It was totally awesome–a defining moment in the college’s history. Go read the alum’s synopsis.

So when the cannon went missing again, Mudders received this email in their inbox:

Subject: Caltech cannon
Date: 28 March 06 19:56:34 PST
To: [HMC internal mailing list]

Howdy,

Did anyone steal the Caltech cannon Monday night/Tuesday morning? They called and said it was stolen and were hoping it was here.

Chris Sundberg
Associate Dean of Students
Harvey Mudd College

Well, they finally found it. At MIT. Apparently MIT posed as construction workers and social-engineered their way into taking the cannon. The *exact* same thing Mudd did when they took it the first time. I’d criticize MIT for being copycats, but I think it’s even more of a diss on Caltech that they fell for the same scheme twice. MIT does get props for carting the damn thing all the way across the country–I hope more details about the trek get released in the future.

When the cannon heist’s anniversary rolls around in the future, and if the cannon has made its way back to Caltech by then, Mudd should totally reclaim it. How? Well, we could try the construction crew scheme again (Caltech has already demonstrated that they don’t learn from experience…). I really like Andrew’s idea, though: Go to Caltech with a construction crew and a film crew, and say that they’re making a movie about the original Caltech Cannon Heist. Then, as the cameras roll and the truck begins to drive away…fail to come back. :)

Share

Lately I’ve been poking around the various ‘Shared’ music libraries on iTunes. This was how I learned to like some of my current favorite bands, like Air and Radiohead. That is, before everyone updated to iTunes 5 or newer and Apple (under the RIAA’s thumb) killed the Shared function.

**rant**

Five connections? Per day? Who the hell designed this? Five would be a sufficient number for home use…except that the Shared function isn’t meant for that context. It’s actually useful in the dorm setting–when you’ve got a hundred people participating! It’s not like you’re downloading the tracks from each other–it’s just streamed! But nooo… Letting people share music with their friends? Allowing people to check out new artists? BADDD!

What really gets on my nerves is the alert message that comes up when you try to connect to a maxed-out user. “The music library “username” accepts only five different users per day.” As if the owner of the music library *set* that limit! They don’t even take responsibility for their own crippleware.

I swear, I keep trying to tell myself that the RIAA is made up of human beings, that they care about music, that they want to serve their customers (like any business is supposed to), that they’re just afraid of new technology and confused about a few things… yet, at every turn, their behavior screams: We Hate Our Customers. We Hate Music. We Hate You.

**/rant**

Anyway. Despite almost all the shared libraries being inaccessible 90% of the time, I’ve managed to check out a few new (to me) bands. Less Than Jake. AFI. After School Specials. Rufus Wainwright.

And Azure Ray. Mmm Azure Ray. Two gorgeous ladies with gorgeous music. You can check out a couple of tracks on their site, including “Displaced”. Get a hold of “Sleep” and “No Signs of Pain” too, if you can.

And “Sea of Doubts.” Oh my. Such a beautiful song.

See lately i’ve been overcome
A feeling I fear has just begun
The pain I feel deep inside
That haunts us all that we will die
Never really knowing how it feels
To be alive

Until I held the boy’s hand
The little one spoke like a man
He showed me death and said
This is how you know you’re alive
A kingfisher in flight
You’ll rise above the sea of doubts
Into a world full of clouds
Alive

My dad is a l33t h4x0r:

When I worked at MECC, kids noticed this cool thing about XOR. So, they “encrypted” their files by XORing with a password. Of course the problem with that is that if the file you are encrypting has zeros in it, you can see the password. So, looking at their “encrypted” files usually revealed the key since it would be the only thing that wasn’t gibberish. The kids could never understand why I could always access their “secret” files.

Oh those crazy kids.

In other news, my dad pointed out to me that early morning Wednesday (and early afternoon, if you’re American), the time and date will be 01:02:03 04/05/06. This alignment is a once in a lifetime event*.

We should have a party.

* It was originally billed as a “once in infinity event,” until the alpha geeks pointed out that it will happen in Europe in May (since they switch the date and month around) and again in 2106.

After getting word of my use of one of their chord progressions for my final jazzcore project, Streetlamp Blues, Tryad invited me to compose and sing some guest vocals for one of their songs-in-progress, Beauty. A couple months later, the song is pretty much finished and is totally sweet. You can listen to it here!

What’s next? I don’t know, besides eagerly awaiting for the rest of Listen to be released to the unsuspecting world. There is a possibility that I may get paid (!) work for the soundtrack of an upcoming online TV show type thing “in the vein of Lost, Twin Peaks, and George Romero’s films” that John is working on. If that works out, that’d be totally sweet.

The Monolith problem

Right now in CS 60, we are learning about logic and basic circuitry in the run up to learning ISCAL. AND, OR, and so forth. One of the logic functions we learned was XOR, which looks like this:

X1 X0 Y
0   0   0
0   1   1
1   0   1
1   1   0

It’s the same function as binary addition, minus the carry. The other cute thing about it is that it’s completely reversable: XOR together either of the inputs with the output, and you get the other input.

Someone else noticed this quirk and decided to apply it to the whole copyright mess with a little program called Monolith. The program mushes together two “element” files into a Mono file. Combine the Mono file with either of the original elements, and you get the other element file. Theoretically, the program could be used for filesharing–by distributing a Mono along with Jason Rohrer’s public domain default Monolith element, one could *theoretically* get around the text of copyright law.

How? It’s obvious to any non-computer scientist that the Mono is just a transmutation of a copyrighted work, easily reversed. This workaround would never hold up in court. However, when you consider the files on the level of binary, and take a strict interpretation of copyright law, a Mono file fails to qualify for legal protection either on grounds of being a derivative work or on being the work itself. (The article goes into the details as to why–go read.)

Monolith certainly isn’t a legal recourse for filesharing. At best, it could evade record labels’ attempts to watermark or copy-protect their music–making filesharing safer for its users, if no less illegal. But I think it illustrates pretty well how outdated American copyright law is. The law is written for an analog society. The society it’s trying to govern is digital. What it means to “copy” or “distribute” something is very different now. You just made a “copy” of this website just by looking at it. And making “copies” of larger and larger files is only getting faster and easier. The law needs to change so that it can make sense of these facts.

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